HOW TO CREATE AN INTRO (with SAMPLES):

.Reverbs

.Pitching Samples and Re-working them

.Working with the Piano Roll

.EQs and Chain of Effects

 

HOW TO CREATE AN INTRO (with VSTs):
.Configuring the VSTs (using ARTURIA V5 Packs)

.Internal Effects

.External Effects

.VST Modulations

.Compression and Sidechain

HOW TO MAKE YOUR INTRO INTERESTING USING:

.Short One Shots

.Reverb Shots

.Reverse Shots

.Noises

.Vocals

 

HOW TO CREATE YOUR OWN KICKS:

.Kick Layering using MIDI Tracks, Drum Racks and Audio Tracks

.Kick Sub Bass using Reverb Sends

.Sidechain | How to use it and why

.Filtering and Effects on the Kick-Layer Group

 

HOW TO CREATE YOUR OWN PERCUSSIONS:

.How to Obtain a Specific Drum Sound

.Using the different Piano Roll Settings

.FXs and EQs

 

HOW TO CREATE SYNTHS FOR DROPS:

.Chain of Effects (EQs, Reverberations, Distortions, Compression etc.)

.Advantages and Disadvantages of Using VSTs or Samples

 

HOW TO CREATE A BREAK:

.Sub bass for Intros

.Using Impacts

.Tailoring Basslines for Low Frequencies

.Tailoring Synths using Filters

.Using Vocals and Samples

 

MIXING

 

FIRST STEPS:
.Reference Other Tracks, Analyzing heir Spectral Range

 

CHAINS OF EFFECTS
.What is a Chain of Effects, why do we use this?

.EQs

.Compression

.Distortion

 

DIGITAL COMPRESSORS

 

ANALOG COMPRESSORS

 

VOLUMES
.Automating 

.Group Volumes (advantages of using groups during the production flow)

 

WHY TO USE A ‘SPECTRUM’ ON THE MASTER CHANNEL:
.Step by Step Analysis of the Frequency Range

 

HOW TO USE EQUALIZERS